Today I had the pleasure of hearing from Rune Bennicke, who's great model sheet of Little Feather (from the never completed "My People's" ) I posted a few weeks ago. Rune included a couple of copies of clean up model sheets I did for one of the characters he animated in "Brother Bear" , Koda's Mom , and suggested I post them here. These sheets are my clean up drawings , attempting to retain the powerful, primal quality in Rune's beautiful rough animation of Koda's Mom. The idea was to not treat it as simply a "clean up" line in the customary modern sense of putting down a pretty, closed-off, no gaps line ; rather we tried to take an organic , rougher line approach to keep the big mother bear looking like a true force of nature as in the rough animation. It was a great assignment and I'm thankful to Rune for trusting me with this character , and also his more comical , anthropomorphic bear character, Tug .
[click the images to see them a bit larger]
Copyright © Walt Disney Co.
It was a challenge drawing all that fur detail , the overlap, etc., and in most cases each drawing was different , no straight inbetweens ... of course, when it came time to be color-modeled they painted the character really dark for most scenes, so most of that fur detail got lost , but I like to think that the audience "feels" it being there , whether it's immediately obivous or not ( or am I fooling myself and I did a lot of extra work for nothing ... ? I don't care , it was fun to draw it that way. )
Hey Dave,
These are great. Obviously, I am floored by the sheer power and energy of the drawings. But I also have a sort of technical question. The prespective on her snout/muzzle area gets really pronounced when she gets close into the camera, like you were using a 30mm lens. It's really accurate drawing. Was that planned during layout? Was it just Rune's uncanny talent?
I often find that I tend to draw with a 50mm lens in my head and forget the power of wide angle.
Posted by: Tim | Tuesday, January 23, 2007 at 10:01 AM
Tim ,
You're very observant ... Rune did that on a number of scenes, so he was either consciously thinking of how the "camera" would introduce that sort of subtle distortion or he intuitively drew it that way ... I never actually sat down and talked to him about it , so I'm not completely sure. My approach was to stick as closely as possible to his rough animation, pushing it ("plussing it") wherever I could in small ways, but this sort of animation subtly is the result of , as you say, his uncanny talent because it wasn't in the layout drawings. Rune may have discussed it with Bob and/or Aaron (i.e. approaching the scenes as being shot with a certain type of lens, to get that effect).
Posted by: David N | Tuesday, January 23, 2007 at 10:24 AM
Hi David! Great post and blog. Just found it. This reminds me of some truly excellent days working on Brother Bear with you. Hope you are well.
-Christian Slade
Posted by: Christian Slade | Monday, January 29, 2007 at 06:38 PM
Hi David,
This post was excellent and I'm always excited at seeing the intricacy of clean-up drawings. When I saw Koda's mom, it was something i realised as to her sheer volume and mass. I was wondering whether you could post other clean-up drawings you may have done as I tend to be fascinated looking at their detail and linework. Great post.
Thankyou
Posted by: Tony | Monday, February 05, 2007 at 09:07 AM
Hey Dave,
This is Lippy (Filmation Lippy).. Your linework is as tight and gorgeous as ever! Thanks for the post.
Posted by: Lippy | Monday, February 12, 2007 at 12:25 PM
Rune is a freak of nature!
Beautiful clean ups -
Posted by: paul briggs | Tuesday, February 13, 2007 at 02:40 PM
Great assistant job,super clean up drawing.I have to see this scene again to enjoy the full impact.And it always help to work with a animator who can draw.Take care David
Posted by: patrick mate | Tuesday, April 10, 2007 at 08:34 PM
Glad you posted these Dave. These drawings , both clean up and roughs were a marvel to see in person. Truly masterfull work by both disciplines. Boy i miss those days when we were privy to works of genius on a daily basis. I got to work on a few Kodas mom and Griz scenes with you and treasure the experience.
Posted by: kevin barber | Saturday, April 28, 2007 at 09:32 AM
Thank you very much both to created and animated Tug, my favourite bear ever!
Posted by: Drachetto | Friday, February 20, 2009 at 07:37 AM